The marriage story, Noah Baumbach's drama with Scarlett Johansson and Adam Driver as a divorce couple who dealt with a raging custody dispute, gained universal recognition of critics and numerous awards, including six Oscar nominations and a victory against Laura Dern's lawyer.
But maybe the Wall Street Journal has revealed the greatest honor that reports that the audio of the central couple, who cries each other, has been judged so annoying that it is now being used to prevent wolves from attacking the cattle.
“I need the wolves to answer and know that people are bad,” said a US Department of Agriculture District Supervisor in Oregon to the WSJ. His teams employ “drone cow hands, whose quadcopter thermal cameras have who can reveal every wolf who lurks in the dark”. The predator is then determined and treated with audio, which is blown up via a loudspeaker. Apart from baumbach-acid insults, tracks include fireworks, shots and Thundersterer AC/DC.
Practice is known as a “wolf chicane” and is used more than that gray wolves are on the list of endangered types of the federal government.
Fortunately, Driver and Johansson's Oscar-nominated achievements for corner teeth have proven to be as humans as well as people.
“Drones were used in the Klamath Basin in Southo-Egon after 11 cows of wolves were killed there in a period of 20 days,” reports the WSJ. “In the next 85 days, when drones were on patrol, only two were killed.”
Other emotional volatile high points in the 2019 film are the feeling of the driver's feeling of Steven Sondheim's Living and Dern's caustic About the double standards according to which mothers and fathers are assessed (which was found in America Ferrera's speech in the film Barbie 2023, which was also included by Baumbach). It is not believed that one of these moments is also broadcast on pests.
The marriage story was premiered in 2019 at the Venice Film Festival and was appointed on the best lists of critics of the year.
In his five-star review of the film, Peter Bradshaw emphasized the “central, arched confrontation” for praise. “That feels theatrical,” he wrote, “but in such a clear and intelligent way.”