Do You want to know who plays on the leading role in the upcoming continuation of The Devil Wears Prada in the upcoming continuation of The Devil Wears Prada. Well, you may have no choice. Since the filming of Anne Hathaway/Meryl Streep, who started in New York a few weeks ago, they have been taking photos and accompanying News have become plentiful (do not click on this link if you do not want to know the rumors about a big star). Of course, gossip pages are not approved by a film studio, such as a teaser, a poster, a trailer or an announcement video. At the same time, the Movie Hype machine has blurred tweet-grade throughout the summer between real marketing and micro-teases.
For example: is there a teaser trailer for the spider man of the next summer: brand new day? It is the next Marvel film after the fantastic restart of July in July, and many summer blockbusters have called their recordings with a teaser a year in advance, so it would make sense to get something out there. A teaser is somehow sony sony posted A few weeks ago, it was only viewed as a “suit recovery”, which seems to be an attempt to restore a 20-second teaser in literal new clothes. It also seems to be a second leg when the strategy concerns anyone who goes beyond the die-hard 5% of the film observers who recognize or take care that Tom Holland goes to the camera with a Spider-Man costume that differs something else from the six other Spider-Man costumes that he has put on in other appearances. There is also a video behind the scenes of a film that hardly started filming. It remembers the absurd long “chairman” of actors from Avengers: Doomsday, which is panded for over five hours, which will soon receive its own sequel. (Of course not everyone was announced. Last but not least because the script of the film was not finished at the time of this announcement and the start of the shooting.)
Even Christopher Nolan, who generally dominated the art of keeping his highly expected films in the area of teaser and trailers-a teaser for his IMAX-Shot version of The Odyssey was selected almost a year before his planned publication in July 2026, as an Odyssey teaser for selected elimination. This is correct if you want to plan a film excursion in 50 weeks, you can book with your local IMAX by booking an odyssey ticket (if applicable). Or rather you could have it if your AMC app is not to crash. Most of these shows were quickly sold out.
This is as usual to a certain extent. At that time there have been hype for films for a long time. Alien 3 had one Teaser follower That teased a film with a completely different premise (extraterrestrials on earth?!). Some of them are only the studios who try to compete with the speed and wildness of the hype of the digital era in order to hear about practically nothing (as well as the semi-regular global misfortune). After all, the days when you go through trailers, posters and television advertising alone are long gone, right?
Maybe not. The Largest global opening Last weekend there were the horror film weapons that exceeded the expectations of their starts, which was largely geared towards … trailers that explained the premise of the film. Obviously, a marketing campaign has more than that. In spring the film started one website Mocked to look like news about Maybrook, the fictional city in the film, with the shadows of the Blair Witch project from 1999. But the baseline of the film's film was a few trailers that showed many creepy pictures, but went little beyond the multi-character act beyond the multi-character act to unveiled the cinemas for the first time in the last two minutes. The film is about finding out what happened to them. No casting announcements, announcement videos or greetings from the required set. For well over a year, the only thing someone repeated about this film in the Hollywood Trade Publications was a “horror epic” with some elements with another classic from 1999, Paul Thomas Anderson's Magnolia.
Of course, weapons with luxury have less attention from both his studio and the outer press. It is not the type of superhero film or top-class sequel that receives one year before clicks. However, this strategy is not only used for smaller films. Disney's Lilo & Stitch Remake, the second largest global hit of the year, certainly had a lot of advertising, tie, brand activations and so on. But it was successful until the publication date and ended up a few traditional teasers with a low foot and a few months before the film was published in 2025 at the end of 2024. Sinner, an ambitious film with an audience that was brought more into harmony with weapons, it was also not possible to sell a lot of inert burger, and was able to surprise the audience with a surprising surprise.
The harvest with a lot of upscale sequels next year will probably still attract crowds. Streep, Hathaway, Nolan, Spider-Man and whoever is in the Avengers have many fans. But the hurry, which usually in a press release in an epic and solemn scale, still feels sweaty even more sweaty, even more sweaty, as if companies like Disney want to project the image of daily news when another name of an old X-Men-cast member appears on a chair. The company estimated spoiler protection in the publication of Deadpool & Wolverine, whereby almost none of the different in-joke kamen of the film was signaled in advance. That seemed to be good marketing, but maybe it was just afraid of the fact that many of these Kameen were rather the expectant jokes than a mega adaptation moments. In retrospect, it is more difficult to say that the hype machine has spent so much time to accidentally remove the difference between teasers, spoilers and stacks of random crumbs.