Jenna Ortega in Turgid Netflix Return

Did you see the first season of Netflix Wednesday And do you want more secret and less humor, more of the secondary members of the Addams family and less from Jenna Ortega's Emmy-nominated performance, more of the supernatural world of the out and less of the real world for contrast?

It is okay not to remember exactly. Wednesday Almost three years ago, almost three years ago was a duration, which is also referred to as “adolescence” for most of the non -supporting occupation.

Fortunately, only a few of the specific details of action from this well -taken season are so relevant. There are enough exposure memories for a general catch -up, but the truth is that the new season of Wednesday is so general that my biggest challenge was to separate my memory of the first season of almost identical dynamics, which was able The terrifying adventures of Sabrina And Percy Jackson and the Olympian And the overall run by Harry Potter.

Back to my first paragraph: I think Wednesday The season will probably satisfy you. However, if they found most of the attraction of the first season as Breakout performance from Ortega, some of the supporting twists and residues of Tim Burton's dark strange eccentricity is a great disappointment. It is rather the same, just devoured and less Ortega-Y-what I accept what the busy young thespians wanted, but not what this viewer hoped.

The premiere of Alfred Gough and Miles Millar-Script is recovering summer holidays on Wednesday, in which they refused to work on their novel, to master their psychological skills and use them to track down a serial killer. Secure. Why not?

The car brings back to the Nevermore Academy on Wednesday, where after their killer-catch summer and all the different things that happened last season, they have become a school-wide celebrity. With the roommate and beast Enid on Wednesday (Emma Myers, the other breakout of the first season) you apparently spent your summer to do and explore new love (Noah B. Taylor as a character, whose name could also be a fresh love interest), but she is happy enough with the emergencyory of her buddy.

It is not surprising that it is less pleased on Wednesday to be famous and even less pleased to be used by Barry there (Steve Buscemi), the Dumbor just organized, to this slogwarts as school mascot. She is more pleased that the bodies in the community of Jericho start – strange things make you happy on Wednesday – all with the eyes that are torn out by crows, and most with a little connection to Wednesday.

In addition to the discomfort on Wednesday – which is not nearly as funny this time – the injection of the entire Addams clan is into the NeverMORE scene. Pugsley (Isaac Ordonez), who shoots electricity from his fingertips for some reason. In the meantime, Principal has decided that the key to his decisive fundraising initiative is to get money from Morticias (Catherine Zeta-Jones) wealthy, and that the best way to do this is to commission Morticia for the donation committee, and the best way to do this to put Mortus-Cottage in the foreground. Gomez (Luis Guzman) has nothing else to do, so he is there too.

While my original rating of the first season was praised Wednesday For the reluctance and the focus, not easy to become The Addams family… Wednesday It has become easy The Addams familyCompletely with a new recording, still not busy, Lurchte (Joonas Suotamo) and the always practical thing (Victor Dorobantu). Only Uncle Faster (Fred Armisen) has not become a full -time member of the ensemble, but he appears in the temporal season “Finale” (words have lost all meaning).

Although a number of important characters from the crime thriller of the last season have been advertised or written in guest appearances, there are many new additions, including Billie Piper as a music teacher. Tandiwe Newton as a doctor in a nearby asylum (with Heather Matarazzo as administrator in the same asylum); Christopher Lloyd as head-in-a-jar; And in the non-stunning department Evie Templeton with big eyes as No. 1 fan on Wednesday.

Even if Burton had not yet made a film that celebrated his appreciation of the big eyes, you would know that Templeton is the preferred engineering brand of the director, and it stands out from the desperate crowd. In this sense, it is a real confusion that Buscemi and Burton only worked together in 2003 Big fishAlthough this signed role is not the best feed for cooperation.

I cannot imagine damn criticism for these four new episodes of Wednesday Just two days after I watched her, I can rightly remember nothing that Wednesday is trying to reach this season this season is still a single -dialogue line. Although the individuals were rarely as sharp as in the first season, they were reliable, and the show had an enormous mileage to bring the Wednesday to one non-Mittel-Wednesday situation after the other and to achieve one of these exceptionally rare cases with the dance scene.

The second season does not try to reproduce the dance scene immediately and thank the sky for it. So far, nothing but equivalent of this scene or an attempt to improve this scene. With the possible exception of a stunt in the third episode, almost all of the brainstorming “wouldn't it be fun if Wednesday …” would have run dry. Wednesday was reduced to a mental gumhoe that tended to overuse of their strength from confiscation and crying blood (or unnamed black liquid). Ortegas Deadpan remains flawless and her sad look enables the viewer projection that goes beyond everything on the side, but on Wednesday too often a piece of an ensemble at this time.

And as far as the over-addams-in the second season is concerned, I fear that as much as I enjoyed Zeta-Jones and Guzmans horny interpretations of Morticia and Gomez in their original hosts and gives them more time for the screen that has actually made one of the two services more interesting. In fact, they decipher all Addams relatives into an extraordinary world in which what they once did creepy, crazy and overall ooky, everyday difference is not distinguished. The family is not funny because they are horror-friendly curiosities. They are funny because they are horror-friendly curiosities in an everyday in a secular world.

Contrast is funny. Season two of Wednesday has no contrast. It is acceptable dark-production and costume design in the show remain first-class and sporadically funny, and when you see the world through Tim Burton's eyes (he staged two of these four episodes), there will always be in the premiere except kilter treasures such as the animated urban legend. But what is most surprising in season second Wednesday is how fast Wednesday It seems as if surprises had expired.